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	<title>Comments on: The Ingredients of Melody: Intervals</title>
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	<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/</link>
	<description>The AudioJungle Blog</description>
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		<title>By: Adrian</title>
		<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/comment-page-1/#comment-3162</link>
		<dc:creator>Adrian</dc:creator>
		<pubDate>Thu, 29 Jan 2009 08:08:17 +0000</pubDate>
		<guid isPermaLink="false">http://blog.audiojungle.net/?p=446#comment-3162</guid>
		<description>Clublime, your idea of being able to listen to the intervals really appealed to me. I figured that someone else may have already had that idea, and sure enough, I found a &quot;Listen to Musical Intervals&quot; page on the Musical Intervals Tutor site.

You can listen to the intervals at
http://www.musicalintervalstutor.info/listenpg.html

I hope you enjoy it.</description>
		<content:encoded><![CDATA[<p>Clublime, your idea of being able to listen to the intervals really appealed to me. I figured that someone else may have already had that idea, and sure enough, I found a &#8220;Listen to Musical Intervals&#8221; page on the Musical Intervals Tutor site.</p>
<p>You can listen to the intervals at<br />
<a href="http://www.musicalintervalstutor.info/listenpg.html" rel="nofollow">http://www.musicalintervalstutor.info/listenpg.html</a></p>
<p>I hope you enjoy it.</p>
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		<title>By: Adrian</title>
		<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/comment-page-1/#comment-3161</link>
		<dc:creator>Adrian</dc:creator>
		<pubDate>Thu, 29 Jan 2009 07:59:29 +0000</pubDate>
		<guid isPermaLink="false">http://blog.audiojungle.net/?p=446#comment-3161</guid>
		<description>Hi Ben, you&#039;re absolutely correct about the tritone. Three tones is six semitones, and I had put it in the table under five semitones. 

Your comment prompted me to do a bit of reading about the tritone, and I discovered that in the Middle Ages this interval was known as &quot;the devil in music&quot;, and was absolutely prohibited from being used in melodies. Amazing!</description>
		<content:encoded><![CDATA[<p>Hi Ben, you&#8217;re absolutely correct about the tritone. Three tones is six semitones, and I had put it in the table under five semitones. </p>
<p>Your comment prompted me to do a bit of reading about the tritone, and I discovered that in the Middle Ages this interval was known as &#8220;the devil in music&#8221;, and was absolutely prohibited from being used in melodies. Amazing!</p>
]]></content:encoded>
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		<title>By: Ben</title>
		<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/comment-page-1/#comment-3154</link>
		<dc:creator>Ben</dc:creator>
		<pubDate>Wed, 28 Jan 2009 15:39:03 +0000</pubDate>
		<guid isPermaLink="false">http://blog.audiojungle.net/?p=446#comment-3154</guid>
		<description>Good helpful look at intervals! 


One tiny issue: I think you&#039;ll find that a &quot;tritone&quot; is an aug4 or flat5, not a P4th. The term also (and in some cases more commonly) applies to a triadic combination of two sets of 6 semitone intervals played together, making a diminished triad.

Otherwise, great work! I&#039;m sure it will be useful.</description>
		<content:encoded><![CDATA[<p>Good helpful look at intervals! </p>
<p>One tiny issue: I think you&#8217;ll find that a &#8220;tritone&#8221; is an aug4 or flat5, not a P4th. The term also (and in some cases more commonly) applies to a triadic combination of two sets of 6 semitone intervals played together, making a diminished triad.</p>
<p>Otherwise, great work! I&#8217;m sure it will be useful.</p>
]]></content:encoded>
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		<title>By: Adrian</title>
		<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/comment-page-1/#comment-3152</link>
		<dc:creator>Adrian</dc:creator>
		<pubDate>Wed, 28 Jan 2009 12:11:48 +0000</pubDate>
		<guid isPermaLink="false">http://blog.audiojungle.net/?p=446#comment-3152</guid>
		<description>Hi Clublime. Thanks for your comments and your feedback.  :-)

I agree that the article became very theoretical - it seemed to have a mind of its own! I&#039;m not aiming to do any more like that, but a minority of people do seem to enjoy that type of article. 

I appreciate your suggestion about including sound clips. I hadn&#039;t thought of doing that, and it would have been helpful.</description>
		<content:encoded><![CDATA[<p>Hi Clublime. Thanks for your comments and your feedback.  <img src='http://blog.audiojungle.net/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<p>I agree that the article became very theoretical &#8211; it seemed to have a mind of its own! I&#8217;m not aiming to do any more like that, but a minority of people do seem to enjoy that type of article. </p>
<p>I appreciate your suggestion about including sound clips. I hadn&#8217;t thought of doing that, and it would have been helpful.</p>
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		<title>By: clublime</title>
		<link>http://blog.audiojungle.net/resources/the-ingredients-of-melody-intervals/comment-page-1/#comment-3135</link>
		<dc:creator>clublime</dc:creator>
		<pubDate>Mon, 26 Jan 2009 19:37:26 +0000</pubDate>
		<guid isPermaLink="false">http://blog.audiojungle.net/?p=446#comment-3135</guid>
		<description>Hi Adrian, great article. I think it would help if you insert sound clip examples in your flavor listing instead of providing a link to Joels&#039; article, as this is all VERY theoretical. ;-)</description>
		<content:encoded><![CDATA[<p>Hi Adrian, great article. I think it would help if you insert sound clip examples in your flavor listing instead of providing a link to Joels&#8217; article, as this is all VERY theoretical. <img src='http://blog.audiojungle.net/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
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